Musical Chairs: why orchestras sit the way they do
One of the questions I’m asked most often is why the string sections of the Jacksonville Symphony sometimes change where they sit between pieces in a concert. Loyal symphony goers will remember that when I arrived in Jacksonville, we adopted two new positions for the string instruments. Your previous music director, Fabio Mechetti, preferred the common arrangement of first violins, second violins, violas, cellos and basses fanning from the left to right of the stage. Now we have two seatings: the first only slightly different from Fabio’s, with the violas on the outside (where the cellos previously sat) which I like for 20th century repertoire. I’m told this was how the orchestra sat during Roger Nierenberg’s time. The second seating is completely different: the first
Continue readingMusical Chairs: why orchestras sit the way they do