Concert weeks are jam-packed!

When newcomers attend the Symphony they often ask me, “How many weeks ago did you start rehearsing for the concert?” The answer usually elicits a look of astonishment, especially if the performance is on a Thursday: “We started on Tuesday morning!” A Masterworks concert is preceded by four or five rehearsals, all within a single week. The musicians’ schedules are organized this way, as are those of guest conductors and soloists, who often stay in a city for a week before moving on to the next. This allows artist managers to schedule their clients’ engagements 18 months to two years in advance. The condensed timeframe assumes everyone arrives at the first rehearsal absolutely prepared, since there isn’t time to learn the notes in the way

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White-hot conviction propels Sibelius’s Fifth Symphony

Last year I made the decision to take a break from conducting over the summer of 2017. The previous few seasons had been exhausting as I flew constantly back and forth between New York, Jacksonville and other cities. A conductor’s primary task is to inspire orchestras and I was aware that the well from which such inspiration is drawn was beginning to run a little low. So between the end of May and September I conducted only one week and spent time in Madrid and Barcelona, two of my favourite cities. My plan worked, and I find myself restored and tremendously excited about the season ahead with the Jacksonville Symphony. We really do have an embarrassment of riches this year with some of my favourite

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